Against a background of war breaking out in Europe and the Mexican fiesta Day of Death, we are taken through one day in the life of Geoffrey Firmin, a British consul living in alcoholic disrepair and obscurity in a small southern Mexican town in 1939. The consul's self-destructive behaviour, perhaps a metaphor for a menaced civilization, is a source of perplexity and sadness to his nomadic, idealistic half-brother, Hugh, and his ex-wife, Yvonne, who has returned with hopes of healing Geoffrey and their broken marriage.

How far will Ted Harbor dig to find his soulmate? As young women vanish, his dark secrets unravel, pushing him to the edge. Horrendous truths surface in this gripping thriller, Under the Palm Tree, keeping you on the edge of your seat.

This documentary focuses on The Public Theater’s 2017 Public Works musical production of As You Like It, which was performed by 200 New Yorkers of all ages and boroughs, and was named one of the Top Ten shows of 2017 by The New York Times. Co-adapted by Shaina Taub and Laurie Woolery, with music and lyrics by Shaina Taub, original choreography by Sonya Tayeh, and direction by Laurie Woolery, As You Like It was set to be remounted as part of the 2020 Free Shakespeare in the Park season, but those plans were halted by the COVID-19 pandemic. This film tracks the creation of As You Like It and the ways this resilient community has banded together amidst the crises of 2020.

A psychological Christmas Thriller that drags us through the mind of an obsessed stalker. Leon Parker, his wife Aja and their son, Sevyn, prepare to have an amazing first Christmas in their new home. The Couple’s Christmas spirit is broken by Christina Parker, who forces herself into their world, searching for her missing husband and son. The stalking ends fatally when she is murdered by Aja after breaking into their home but that’s when the mystery begins. The Couple is desperate to find out who Christina really is when a spa receipt surfaces and the truth is revealed.

After searching for the ideal structure for many years, an artist builds an installation in a rewilded field in Dorset one summer, and continues her journey of loss and remembrance.

When her storyteller mother (Mary Alice) dies, attorney Clara Collier (Alfre Woodard) returns to her Georgia hometown and is soon captivated by a local legend of the "Magic Man" (Blair Underwood). While looking for the source of the tale, Clara uncovers suprising family secrets. Czech filmmaker Ivan Passer directs this family drama that delves into the storytelling tradition of the Deep South. Blair Underwood and Helen Shaver co-star.

A teenager has his Sitka Spruce tree chosen to be planted outside the White House as the new national Christmas Tree.

The Criminal Minds actor shows Vanity Fair his stuffed animals, a friend's wisdom tooth, and a screw he had in his knee in the inaugural episode of "My Stuff,” a four-part video series.

Hoping to bring his family closer together and to recreate his childhood vacation for his own kids, a grown up Rusty Griswold takes his wife and their two sons on a cross-country road trip to the coolest theme park in America, Walley World. Needless to say, things don't go quite as planned.

Malo has separated from his wife and a divorce is in the works. His children leave with his wife on holiday, and he is lonely and depressed. His friend Rémi drags him to a party in the country, and driving back they see by chance a notice of a house being sold at auction by creditors. The low reserve price surprises them and they go round to have a look. Finding the door open, Malo picks up a letter from a little girl to her father saying she misses him - moved by the resonance with his own daughter, Malo accidentally takes the note with him when they leave in a hurry. He then resolves to return the note to the now grown-up little girl Cloé, but of course it's awkward to explain how he got it. He learns that she really doesn't want to sell the house, which is all that remains of her childhood. The relationship between them develops, and emotions run high at the auction. Ultimately the film explores whether Malo can give both or either Cloé and his daughter what they want/need,